Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/29269
Appears in Collections:Communications, Media and Culture Journal Articles
Peer Review Status: Refereed
Title: The Need for Speed? A Historical Analysis of The BBC's Post-War Broadcasting of Motorsport
Author(s): Haynes, Richard
Robeers, Timothy
Contact Email: r.b.haynes@stir.ac.uk
Keywords: Post-war years
motorsport
television broadcasting
representation
archival approach
Issue Date: 2020
Date Deposited: 8-Apr-2019
Citation: Haynes R & Robeers T (2020) The Need for Speed? A Historical Analysis of The BBC's Post-War Broadcasting of Motorsport. Historical Journal of Film, Radio and Television, 40 (2), pp. 407-423. https://doi.org/10.1080/01439685.2019.1628418
Abstract: Although many media and cultural histories have looked at the emergence of particular popular sports, few have done so from a detailed perspective with respect to motorsport. Indeed, ever since its conceptualisation, motorsport has shared an intricate relationship with the media. However, despite advancements in camera and broadcasting equipment, significant technical and logistical difficulties to represent early motorsport as televisual, with a strong sense of ‘realism’, persevered. This article explores the emergence of motorsport on BBC television during the post-war period to determine if, and to what extent, early motorsport on television was (not) televised. To this end, a qualitative archival approach is used to examine a sample of archival and biographical media texts from the post-war period. Findings suggest the BBC experimented with the format of the hill climb, a motorsport series, by shaping it to fit the possibilities and requirements of television more appropriately. This resulted in the creation of the Television Trophy Trial, the adoption of scrambling and the rise of Rallycross. This means that the BBC was, in effect, not only using motorsport to its own benefit from the early 1950s onwards, but actively developing and representing motorsport as competitive and dramatic.
DOI Link: 10.1080/01439685.2019.1628418
Rights: This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Historical Journal of Film, Radio and Television on 14 Jun 2019, available online: http://www.tandfonline.com/10.1080/01439685.2019.1628418

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