Please use this identifier to cite or link to this item:
http://hdl.handle.net/1893/29269
Appears in Collections: | Communications, Media and Culture Journal Articles |
Peer Review Status: | Refereed |
Title: | The Need for Speed? A Historical Analysis of The BBC's Post-War Broadcasting of Motorsport |
Author(s): | Haynes, Richard Robeers, Timothy |
Contact Email: | r.b.haynes@stir.ac.uk |
Keywords: | Post-war years motorsport television broadcasting representation archival approach |
Issue Date: | 2020 |
Date Deposited: | 8-Apr-2019 |
Citation: | Haynes R & Robeers T (2020) The Need for Speed? A Historical Analysis of The BBC's Post-War Broadcasting of Motorsport. Historical Journal of Film, Radio and Television, 40 (2), pp. 407-423. https://doi.org/10.1080/01439685.2019.1628418 |
Abstract: | Although many media and cultural histories have looked at the emergence of particular popular sports, few have done so from a detailed perspective with respect to motorsport. Indeed, ever since its conceptualisation, motorsport has shared an intricate relationship with the media. However, despite advancements in camera and broadcasting equipment, significant technical and logistical difficulties to represent early motorsport as televisual, with a strong sense of ‘realism’, persevered. This article explores the emergence of motorsport on BBC television during the post-war period to determine if, and to what extent, early motorsport on television was (not) televised. To this end, a qualitative archival approach is used to examine a sample of archival and biographical media texts from the post-war period. Findings suggest the BBC experimented with the format of the hill climb, a motorsport series, by shaping it to fit the possibilities and requirements of television more appropriately. This resulted in the creation of the Television Trophy Trial, the adoption of scrambling and the rise of Rallycross. This means that the BBC was, in effect, not only using motorsport to its own benefit from the early 1950s onwards, but actively developing and representing motorsport as competitive and dramatic. |
DOI Link: | 10.1080/01439685.2019.1628418 |
Rights: | This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. This is an Accepted Manuscript of an article published by Taylor & Francis Group in Historical Journal of Film, Radio and Television on 14 Jun 2019, available online: http://www.tandfonline.com/10.1080/01439685.2019.1628418 |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
Haynes_Robeers_2019_Accepted.pdf | Fulltext - Accepted Version | 311.59 kB | Adobe PDF | View/Open |
This item is protected by original copyright |
Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
The metadata of the records in the Repository are available under the CC0 public domain dedication: No Rights Reserved https://creativecommons.org/publicdomain/zero/1.0/
If you believe that any material held in STORRE infringes copyright, please contact library@stir.ac.uk providing details and we will remove the Work from public display in STORRE and investigate your claim.