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Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/26379
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dc.contributor.authorBrown, Williamen_UK
dc.contributor.authorFleming, Daviden_UK
dc.date.accessioned2018-03-03T03:51:18Z-
dc.date.available2018-03-03T03:51:18Z-
dc.date.issued2015en_UK
dc.identifier.urihttp://hdl.handle.net/1893/26379-
dc.description.abstractThis essay examines Gaspar Noë's film, Enter the Void (2009), in light of the work of both Gilles Deleuze and Alain Badiou. Arguing that the film shows to viewers the 'void' that separates subjects from objects, the essay also considers Noë's film in the light of drug literature and the altered states induced by cinema and described by Anna Powell. Finally, the essay proposes that Enter the Void is a work of 'unbecoming' cinema, which in turn points to expansion of cinematic form through the use of digital technologies.en_UK
dc.language.isoenen_UK
dc.publisherEdinburgh University Pressen_UK
dc.relationBrown W & Fleming D (2015) Voiding Cinema: Subjectivity beside itself, or unbecoming cinema in Enter the Void. Film-Philosophy, 19, pp. 124-145. http://www.film-philosophy.com/index.php/f-p/article/view/962en_UK
dc.rightsThis article is published under a CC-BY-NC licence https://creativecommons.org/licenses/ in Film-Philosophy, you may use, reproduce, disseminate or display the article provided you credit the author(s) of the Contribution and provide full citation.en_UK
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/en_UK
dc.subjectGaspar Noëen_UK
dc.subjectEnter the Void,en_UK
dc.subjectAlain Badiouen_UK
dc.subjectGilles Deleuzeen_UK
dc.subjectaltered statesen_UK
dc.subjectcinemaen_UK
dc.subjectdrugsen_UK
dc.titleVoiding Cinema: Subjectivity beside itself, or unbecoming cinema in Enter the Voiden_UK
dc.typeJournal Articleen_UK
dc.citation.jtitleFilm-Philosophyen_UK
dc.citation.issn1466-4615en_UK
dc.citation.volume19en_UK
dc.citation.spage124en_UK
dc.citation.epage145en_UK
dc.citation.publicationstatusPublisheden_UK
dc.citation.peerreviewedRefereeden_UK
dc.type.statusVoR - Version of Recorden_UK
dc.identifier.urlhttp://www.film-philosophy.com/index.php/f-p/article/view/962en_UK
dc.contributor.affiliationUniversity of Roehamptonen_UK
dc.contributor.affiliationCommunications, Media and Cultureen_UK
dc.identifier.isiWOS:000210906300010en_UK
dc.identifier.wtid509705en_UK
dc.contributor.orcid0000-0002-3176-0745en_UK
dcterms.dateAccepted2015-12-31en_UK
dc.date.filedepositdate2017-12-15en_UK
rioxxterms.apcnot requireden_UK
rioxxterms.typeJournal Article/Reviewen_UK
rioxxterms.versionVoRen_UK
local.rioxx.authorBrown, William|en_UK
local.rioxx.authorFleming, David|0000-0002-3176-0745en_UK
local.rioxx.projectInternal Project|University of Stirling|https://isni.org/isni/0000000122484331en_UK
local.rioxx.freetoreaddate2017-12-15en_UK
local.rioxx.licencehttp://creativecommons.org/licenses/by-nc/4.0/|2017-12-15|en_UK
local.rioxx.filenameWB_DHF_ETVoid_Film_Philosophy.pdfen_UK
local.rioxx.filecount1en_UK
local.rioxx.source1466-4615en_UK
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