http://hdl.handle.net/1893/25579
Appears in Collections: | Literature and Languages Journal Articles |
Peer Review Status: | Refereed |
Title: | Punk Rock is my Religion |
Author(s): | Stewart, Francis |
Contact Email: | francis.stewart@stir.ac.uk |
Keywords: | Straight Edge Hardcore Punk Syncretic Approaches to Religion Religious / Secular Divide Spiritual Identity |
Issue Date: | 2012 |
Date Deposited: | 6-Jul-2017 |
Citation: | Stewart F (2012) Punk Rock is my Religion. International Journal of Religion and Spirituality in Society, 1 (4), pp. 59-74. https://doi.org/10.18848/2154-8633/CGP/v01i04/51183 |
Abstract: | Social theorists of religion such as Durkheim, Evans-Pritchard, Lynch and Taylor have all demonstrated that awareness of, and engagement with, concepts of the divine, the spiritual and the community are not understood or accessed in a universal way. Nor are they expressed in universal ways, especially amongst those individuals partaking in the current trend of nomadic or syncretic religious beliefs and practices. Thus if we as researchers and theorists are to fully understand the religious beliefs and practices of such individuals and indeed the theological landscape of modern western societies, we must be prepared to explore new and expanding methodologies and means of expression of religious and spiritual identity.My PhD is focused on the spiritual identity and practices of Straight Edge punks, a subset of hardcore punk. During field work in both the US and the UK I utilised visual methodology, primarily though not exclusively, based on the proclivity of adherents to wearing tattoos, to enable interviewees and informants to explore and express their spiritual identity and practises.This paper will use the visual results - photographs, tattoos, flash, and video - garnered to explicit the spiritual identity and practises of Straight Edge adherents, linked strongly to the work of Gordon Lynch and Charles Taylor. From that point the work will argue that instead of focusing on a binary of religious / secular we should instead look to one composed of authenticity / profane / sacred to provide a more accurate understanding of interaction and relationship between religion and modern Western society. |
DOI Link: | 10.18848/2154-8633/CGP/v01i04/51183 |
Rights: | The publisher does not allow this work to be made publicly available in this Repository. Please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. |
Licence URL(s): | http://www.rioxx.net/licenses/under-embargo-all-rights-reserved |
File | Description | Size | Format | |
---|---|---|---|---|
N11_31302_PunkRockIsMyReligion2 (1).pdf | Fulltext - Accepted Version | 378.67 kB | Adobe PDF | Under Embargo until 3000-12-01 Request a copy |
Note: If any of the files in this item are currently embargoed, you can request a copy directly from the author by clicking the padlock icon above. However, this facility is dependent on the depositor still being contactable at their original email address.
This item is protected by original copyright |
Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.
The metadata of the records in the Repository are available under the CC0 public domain dedication: No Rights Reserved https://creativecommons.org/publicdomain/zero/1.0/
If you believe that any material held in STORRE infringes copyright, please contact library@stir.ac.uk providing details and we will remove the Work from public display in STORRE and investigate your claim.