Please use this identifier to cite or link to this item: http://hdl.handle.net/1893/20552
Full metadata record
DC FieldValueLanguage
dc.contributor.advisorMcIntosh, Ian-
dc.contributor.advisorPunch, Samantha-
dc.contributor.authorDesougi, Maria M A-
dc.date.accessioned2014-07-08T10:17:52Z-
dc.date.available2014-07-08T10:17:52Z-
dc.date.issued2014-
dc.identifier.urihttp://hdl.handle.net/1893/20552-
dc.description.abstractSince before the Neolithic Revolution, when human civilisation first emerged, humans and canines have lived, and died, together. This Scottish study is conducted in the field of animal-human interaction and, using qualitative methods, applies established insights from the sociology of health (born of human-to-human interaction) to a human-animal relationship. Specifically, this thesis explores death and dying in relations between the companion canines, and the human members, of ten families. Nonhuman illness narratives are found in profusion in this study, and it was also found to be possible to apply biographical disruption to nonhumans, when conceptualised as biographical disruption-by-proxy. Unexpectedly, there emerged from the data support for a four-fold model of canine selfhood, as forged within the family. This is, as far as I am aware, the first modelling of a specific nonhuman consciousness, within the discipline. Suffering was found to exist in both physical and non-physical forms for the companions, and a mutual vulnerability to loneliness, and desire for companionship, appears to be a powerful point of connection between the humans and the canines. Being together emerged as both a practice, and as an ideal, that moulded the human-canine relations, and it was regarded as unfitting for a canine to die alone. Companion canine dying comes forth as a negotiated process, shaped by a divide between gradual and sudden death. This work encountered developed narratives of departure, that seem to structure the experience of losing a companion. In particular the role of the expert is a privileged voice in the negotiations of dying, and the biomedical view is treated as being definitive. The role of the expert is not simply submitted to however, but a range of stances to veterinary authority are displayed, being; acquiescence, resistance and invalidation of the veterinary voice. Ultimately, whilst interplays of wellbeing are present, they are less biophysically grounded, than they are rooted in the everyday routines of life, in the rituals of eating, sleeping, walking, and playing together, that compose the shared world of the human and companion canine.en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Stirlingen_GB
dc.subjectanimal human interactionen_GB
dc.subjectcompanion animalsen_GB
dc.subjectcaninesen_GB
dc.subjectdeathen_GB
dc.subjectdyingen_GB
dc.subject.lcshDogsen_GB
dc.subject.lcshHuman-animal relationships.en_GB
dc.subject.lcshEmpathy Psychological aspects.en_GB
dc.subject.lcshDeathen_GB
dc.subject.lcshAnimal psychologyen_GB
dc.titleDeath and Dying in Human and Companion Canine Relationsen_GB
dc.typeThesis or Dissertationen_GB
dc.type.qualificationlevelDoctoralen_GB
dc.type.qualificationnameDoctor of Philosophyen_GB
dc.rights.embargodate2017-11-30-
dc.rights.embargoreasonMy thesis contains multiple original findings that are as yet unpublished in a rapidly expanding field. (this delay is with my principal supervisor's knowledge and consent)en_GB
dc.contributor.funderESRCen_GB
dc.author.emailmaria.desougi@gmx.comen_GB
dc.rights.embargoterms2017-12-01-
dc.rights.embargoliftdate2017-12-01-
Appears in Collections:Faculty of Social Sciences eTheses

Files in This Item:
File Description SizeFormat 
Thesis PDF.pdf16.86 MBAdobe PDFView/Open


This item is protected by original copyright



Items in the Repository are protected by copyright, with all rights reserved, unless otherwise indicated.

The metadata of the records in the Repository are available under the CC0 public domain dedication: No Rights Reserved https://creativecommons.org/publicdomain/zero/1.0/

If you believe that any material held in STORRE infringes copyright, please contact library@stir.ac.uk providing details and we will remove the Work from public display in STORRE and investigate your claim.