|Appears in Collections:||Communications, Media and Culture Journal Articles|
|Peer Review Status:||Refereed|
|Title:||Lindsay Anderson and the Legacy of Free Cinema|
|Publisher:||Edinburgh University Press|
|Citation:||Izod J & Magee K (2014) Lindsay Anderson and the Legacy of Free Cinema, Journal of British Cinema and Television, 11 (2-3), pp. 351-369.|
|Abstract:||Accepting that Free Cinema’s legacy has been found on British cinema and television screens in the work of directors other than Lindsay Anderson, this article investigates whether Anderson’s own films and television programmes made after the mid-1970s (including not only those that were released but others that were not completed) reveal a continuing commitment to what he liked to call the Free Cinema ‘tradition’ of film-making. In so doing it draws critical attention to Anderson’s lesser known later works such as The Old Crowd, Is That All There Is?, In Celebration, The Whales of August and Glory! Glory! as well as to unmade projects such as The Grand Babylon Hotel, Dress Gray, Vile Bodies, Empire and If (2). . . .|
|Rights:||This item has been embargoed for a period. During the embargo please use the Request a Copy feature at the foot of the Repository record to request a copy directly from the author. You can only request a copy if you wish to use this work for your own research or private study. Publisher policy allows this work to be made available in this repository. Published in Journal of British Cinema and Television. Volume 11, Issue 2-3, Page 351-369 by Edinburgh University Press. The original publication is available at: http://www.euppublishing.com/doi/abs/10.3366/jbctv.2014.0220|
|Affiliation:||Communications, Media and Culture|
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