Co-production in professional practice: a sociomaterial analysis

Abstract

Co-production, typically defined as services and products that are planned and delivered in full conjunction with clients, has become a popular policy discourse and prescription for professional practice across a wide range of public services. Literature tends to herald the democratic and even transformative potential of co-production, yet there is yet little empirical evidence of its processes and negotiations at the ‘chalkface’ of everyday practice. This article adopts a sociomaterial theoretical frame of professional knowing-in-practice to analyse these negotiations, drawing from a case study of community policing. The argument is situated in terms of implications of these co-production practices for professional learning.